Larusso’s paintings contain interior spaces and manicured
semi-private outdoor spaces that suggest a relative level of comfort and social
acceptance. Confidently defined, the architecture represented through image
sometimes confirms and sometimes questions the stability of the situation. The
commonality of the image is encouraged by the absence of personal information.Including only necessary information to complete the idea
and composition, the edge of the painted image defines the edge of the support.
Moving outside of the traditional rectangular format, the interaction of the
painting with the wall becomes a relevant aspect to the work.
Negative/positive space issues arise and become significant,
as well as actual shadows cast onto the wall from the piece versus painted
shadows in the piece. The flat image lends itself to intentionality of mark
making. Her representations of generic and stereotypical middle America remind
us of the culture we maintain on a daily basis through our every action. Our
ideals are often a reflection of the way we wish things were, rather than a
product of the way we actually experience them. This conflict is in direct
connection to the representational image.
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